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Experiments with New Music Tablatures based on Frobenius Algebra (Guitar, Timpani, Trombone)
"Disrupt The Norm: Creating New Music Compositional Tablatures Using Circos. Part II"
3D Printing of Musical Instruments: Radical Technologies
“Source: Music of the Avant Garde: Everything Changes”
On Key Ideation and Innovation in Compositional Tablature Notation...
Experimental Concepts in Composition: Nativism and Neuroconstuctivism"
"Compositional Surrogates: Translating a Theoretical Treatise"
From Sound Morphology: "The Many Faces of Cardew's Treatise" An Updated Portfolio
Compositional Obstructionist Theories of Otto Werner (1927-2008)
Images of “Partitions: Cambics Alive in Sensient Amplules”
Musica Invicta Perspectivisation
From the Sketchbook of Bil Smith. Ideation for String Quartet
Alberto Burri: Combustion's Role in Musical Tablature
WET (Words, Events & Text) Scores/Music
Experiments at the Lab
Blog
Contact
Laboratorie New Music
A New Aesthetic in Contemporary New Music
Home
About
Soundings
Works
Writing
Experiments with New Music Tablatures based on Frobenius Algebra (Guitar, Timpani, Trombone)
"Disrupt The Norm: Creating New Music Compositional Tablatures Using Circos. Part II"
3D Printing of Musical Instruments: Radical Technologies
“Source: Music of the Avant Garde: Everything Changes”
On Key Ideation and Innovation in Compositional Tablature Notation...
Experimental Concepts in Composition: Nativism and Neuroconstuctivism"
"Compositional Surrogates: Translating a Theoretical Treatise"
From Sound Morphology: "The Many Faces of Cardew's Treatise" An Updated Portfolio
Compositional Obstructionist Theories of Otto Werner (1927-2008)
Images of “Partitions: Cambics Alive in Sensient Amplules”
Musica Invicta Perspectivisation
From the Sketchbook of Bil Smith. Ideation for String Quartet
Alberto Burri: Combustion's Role in Musical Tablature
WET (Words, Events & Text) Scores/Music
Experiments at the Lab
Blog
Contact
